This week, I read J.R.R. Tolkien’s The Hobbit for the first time. While I
had seen both the Hobbit and Lord of the Rings movies, as well as
read the original trilogy, I had never read the prequel before. Luckily, I had
the opportunity to do so this week.
It quickly became apparent to me
that the tone of The Hobbit is much
different than that of The Lord of the
Rings, despite the similar tones between the movies. The Hobbit book is much lighter in tone.
Although aspects of The Hobbit continue
on into the main trilogy, such as the ring and Gollum, The Hobbit lacks the sense of urgent and all-encompassing darkness
that the main trilogy had. Reading The
Hobbit after already being acquainted with the main trilogy, The Hobbit seems to have a sense of
blissful naiveté, kind of like the calm before the storm. Bilbo and his company
cannot possibly have any idea of what their journey will eventually lead to.
This aspect of The Hobbit— that it is a prequel to a much larger and darker series—
makes it an interesting and different example of the Hero’s Journey. Just as in
the traditional Hero’s Journey storyline, there is a call to action (from
Gandalf), a road of trials one after another, acquirement of “boons”, a gradual
change in the main character, and ultimately a victory and the “freedom to live”
for Bilbo back in the Shire. However, this “freedom” turns out to be very short
lived, since Bilbo’s original Hero’s Journey sets in motion a series of events
which threaten to plunge the world back into darkness. This, of course, necessitates
the beginning of a second Hero’s journey, which can be read in the Lord of the Rings trilogy. Since a large
part of the Hero’s Journey trope is the total resolution—of plot, of character
development, of loose ends—the fact that The
Hobbit leaves much unresolved (until the main trilogy) sets it apart from a
typical, by-the-book Hero’s Journey tale. While Bilbo’s journey is certainly
resolved at the end of The Hobbit,
the overall Hero’s Journey cycle of Tolkien’s Middle Earth stories is still just
in the beginning, in the “innocent world of childhood.”
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